Just found an article on the net (part of the LOCOMAT project) by Denis Roegel about Jost Burgi's "Progress Tabulen” of 1620. This is the publication that many people use to justify Burgi as an independent inventor of logarithms. In fact, he had made his method known to Tycho Brahe and others prior to the actual publication of Napier's Canon of Logarithms.
Roegel suggest that, in fact, what Burgi has done is :
There is no doubt that Bürgi came very close to the notion of logarithm, but if we
call logarithms a correspondence between two infinite continua representing real numbers, such that multiplication becomes addition, then Bürgi obviously only partly attained it, whereas Napier undoubtedly hit it.47 We can of course understand why this happened. It is in particular clear that Napier’s kinematic approach based on the theory of proportions gave him naturally a firm base in two infinite continua.48 We can also observe that Napier went beyond his needs. He needed only to define logarithms of sines, but his definition goes beyond. Bürgi, on the other hand, basically only needed to define the multiplication of numbers between 1 and 10 (or 108 and 109) and he therefore introduced a restricted way to do these computations, which at the same time prevented him from defining the general logarithm function which he didn’t really need.
A fair comparison between Napier and Bürgi requires a clear definition of the notion of logarithms, but it also makes it necessary to distinguish the abstract notion of logarithm from the knowledge of logarithmic computation. It is by confusing these two notions that many authors were led to attribute the discovery of logarithms to Bürgi or some of his forerunners, when they have in fact only produced what are, admittedly, tables of logarithms.
The date on the article is Jan 11, 2011, only a few days before the date (Jan 31) on which Burgi died in 1632. For those who haven't heard of Burgi, he is considered one of the great mechanics of the period, and created beautiful Armillaries and mechanized globes that are still works of both engineering and artistic beauty. He communicated with Brahe and Kepler, and was urged to publish his "Tablulen" by both.
The most significant artifacts designed and built by Burgi surviving in museums are:
* Several mechanized celestial globes (now in Paris, Zuerich (Schweizerisches Landesmuseum), Stuttgart (Wurttembergisches Landesmuseum) and Kassel (Orangerie,2x,1580-1595) )
* Several clocks in Kassel, Dresden (Mathematisch Physikalischer Salon) and Vienna (Kunsthistorisches Museum)
* Sextants made for Keppler (at the National Technical Museum in Prag)
* The Mond-Anomalien-Uhr (a mechanical model of the irregularities of the motion of the Moon around the Earth)
Roegel doesn't deny the creative greatness of Burgi, but suggest it is greatness of a 2nd order, or as he says in his paper:
That being said, our purpose was in no way to diminish Bürgi’s contributions. Instead, we are a great admirer of his technical and mathematical contributions. But we have felt that justice had not been given to the Progress Tabulen and that wishful thinking by Swiss landsmen had somewhat distorted Bürgi’s work, and that it had again to be put straight.
Although we do not consider that Bürgi discovered or invented logarithms, we think
it is still appropriate to quote the words of Cajori in 1915: “The facts as they are known to-day assign to Napier the glory of a star of the first magnitude as the inventor of logarithms who first gave them to the world, and to Bürgi the glory of a star of lesser magnitude, but shining with an independent light.” [from Florian Cajori. Algebra in Napier’s day and alleged prior inventions of logarithms. In Knott , pages 93–109.]